Music in the horror films of Val Lewton

Examines how the music in Val Lewton's horror films enhanced the films' aesthetics and visual styleProvides a fine-grained analysis of each film's original scoreExplores all examples of source music in each filmConsiders film music as a path to film analysisVal Lewton's horror fi...

Descripción completa

Detalles Bibliográficos
Autor principal: Lee, Michael, 1963- (-)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press [2022]
Colección:EBSCO Academic eBook Collection Complete.
Music and the moving image.
Acceso en línea:Conectar con la versión electrónica
Ver en Universidad de Navarra:https://innopac.unav.es/record=b47449275*spi
Descripción
Sumario:Examines how the music in Val Lewton's horror films enhanced the films' aesthetics and visual styleProvides a fine-grained analysis of each film's original scoreExplores all examples of source music in each filmConsiders film music as a path to film analysisVal Lewton's horror films revolutionized a popular genre through a much-studied and still widely emulated visual style emphasizing shadows and absences. By denying audiences visual confirmation of horror, his reforms placed a fresh burden on the soundtrack of his films. This book offers a fine-grained study of the Lewton unit's transformational sonic style which introduced the first jump scare," liberal use of pre-musique concrète, and an original orchestral score for every film in the series in violation of "B" movie norms. Their orchestral scores often exceed the conventions of film music as we hear the RKO Music Department ignoring instructions thus freeing their contributions to signpost the path toward each films' essential themes. "
Descripción Física:1 recurso electrónico
Formato:Forma de acceso: World Wide Web.
Bibliografía:Incluye referencias bibliográficas e índice.
Filmografía: páginas 205-207.
ISBN:9781474497046
9781474497053