Duchamp and the aesthetics of chance art as experiment
Marcel Duchamp is often viewed as an ""artist-engineer-scientist, "" a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincaré. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his...
| Otros Autores: | , |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
New York :
Columbia University Press
©2010.
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| Colección: | EBSCO Academic eBook Collection.
Columbia themes in philosophy, social criticism, and the arts. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b4704858x*spi |
| Sumario: | Marcel Duchamp is often viewed as an ""artist-engineer-scientist, "" a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincaré. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision. Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scien. |
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| Descripción Física: | 1 recurso electrónico (xvi, 214 páginas) : ilustraciones |
| Formato: | Forma de acceso: World Wide Web. |
| Bibliografía: | Incluye referencias bibliográficas (páginas 193-210) e índice. |
| ISBN: | 9780231519748 |
