Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics

Operatic Pasticcios in 18th-Century Europe Contexts, Materials and Aesthetics

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In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation o...

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Detalles Bibliográficos
Otros Autores: Over, Berthold, editor, colaborador (editor), Zur Nieden, Gesa, editor, colaborador (colaborador), Albrecht-Hohmaier, Martin, colaborador, Bellina, Anna Laura, colaborador, Bertinetto, Alessandro, colaborador, Betzwieser, Thomas, colaborador, Blichmann, Diana, colaborador, Döhl, Frédéric, colaborador, Finkel, Carola, colaborador, Gölz, Tanja, colaborador, Hartmann, Tina, colaborador, Herold, Kristin, colaborador, Jahn, Bernhard, colaborador, Knaus, Kordula, colaborador, Kokole, Metoda, colaborador, Kramer, Ursula, colaborador, Körner, Hans, colaborador, Köster, Maik, colaborador, Landgraf, Annette, colaborador, Lanfossi, Carlo, colaborador, Markuszewska, Aneta, colaborador, Mücke, Panja, colaborador, Madry, Alina, colaborador, Pelliccia, Emilia, colaborador, Philippi, Daniela, colaborador, Pietschmann, Klaus, colaborador, Romagnoli, Angela, colaborador, Ryszka-Komarnicka, Anna, colaborador, Spurgjasz, Katarzyna, colaborador, Spáčilová, Jana, colaborador, Stefani, Gianluca, colaborador, Strohm, Reinhard, colaborador, Veit, Joachim, colaborador, Zedler, Andrea, colaborador, Zsovár, Judit, colaborador, Zórawska-Witkowska, Alina, colaborador
Formato: Libro electrónico
Idioma:Inglés
Publicado: Bielefeld : Transcript [2021]
Colección:EBSCO Academic eBook Collection.
Mainz historical cultural sciences ; volume 45.
Acceso en línea:Conectar con la versión electrónica
Ver en Universidad de Navarra:https://innopac.unav.es/record=b46494923*spi
Descripción
Sumario:In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as "pasticcios" since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.
Descripción Física:1 recurso electrónico
Formato:Forma de acceso: World Wide Web.
ISBN:9783839448854

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