Foretastes of heaven in Lutheran church music tradition Johann Mattheson and Christoph Raupach on music in time and eternity
<Span><span>In the two centuries after Martin Luther's affirmation that music stood second only to theology, Lutheran theologians and musicians formulated a theological defense of music that validated this exalted status. Against Calvinist rivals and Pietist critics, the orthodox Lu...
| Otros Autores: | , , |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Lanham ; Boulder ; New York ; London :
Rowman and Littlefield
[2015]
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| Colección: | EBSCO Academic eBook Collection.
Contextual Bach studies ; 5. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b46451055*spi |
| Sumario: | <Span><span>In the two centuries after Martin Luther's affirmation that music stood second only to theology, Lutheran theologians and musicians formulated a theological defense of music that validated this exalted status. Against Calvinist rivals and Pietist critics, the orthodox Lutheran position further claimed that both instrumental and vocal music were commanded by God. Joyce Irwin's earlier work, </span><span style=""font-style:italic;"">Neither Voice nor Heart Alone: German Lutheran Theology of Music in the Age of the Baroque</span><span>, traced this development in Lutheran theological. |
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| Descripción Física: | 1 recurso electrónico |
| Formato: | Forma de acceso: World Wide Web. |
| Bibliografía: | Incluye referencias bibliográficas e índice. |
| ISBN: | 9781442232648 |
