Acts theater, philosophy, and the performing self
Why do people act? Why are other people drawn to watch them? How is acting as a performing art related to role-playing outside the theater? As the first philosophical study devoted to acting, Acts sheds light on some of the more evasive aspects of the acting experience - such as the import of the ac...
| Otros Autores: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Ann Arbor :
The University of Michigan Press
2014.
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| Colección: | EBSCO Academic eBook Collection.
Theater: theory/text/performance. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b46062798*spi |
| Sumario: | Why do people act? Why are other people drawn to watch them? How is acting as a performing art related to role-playing outside the theater? As the first philosophical study devoted to acting, Acts sheds light on some of the more evasive aspects of the acting experience - such as the import of the actor's voice, the ethical unease sometimes felt while embodying particular sequences, and the meaning of inspriration. Tzachi Zamir explores acting's relationship to everyday role-playing through a surprising range of examples of "lived acting," including pornography, masochism, and eating disorders. By unearthing the deeper mobilizing structures that underlie dissimilar forms of staged and non-staged role-playing, Acts offers a multilayered meditation on the percolation from acting to life. -- from back cover. |
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| Descripción Física: | 1 recurso electrónico |
| Formato: | Forma de acceso: World Wide Web. |
| Bibliografía: | Incluye referencias bibliográficas e índice. |
| ISBN: | 9780472120291 9781306881265 |
