Adaptations in the Sound Era 1927-37

There is no disputing that the coming of sound heralded a new era for adaptations. We take it for granted today that a film is enhanced by sound but it was not a view unanimously held in the early period of sound cinema. While there was a substantial degree of skepticism in the late 1920s and early...

Descripción completa

Detalles Bibliográficos
Autor principal: Cartmell, Deborah (-)
Formato: Libro electrónico
Idioma:Inglés
Publicado: New York : Bloomsbury Publishing 2015.
Colección:EBSCO Academic eBook Collection Complete.
Bloomsbury Adaptation Histories.
Acceso en línea:Conectar con la versión electrónica
Ver en Universidad de Navarra:https://innopac.unav.es/record=b43154621*spi
Descripción
Sumario:There is no disputing that the coming of sound heralded a new era for adaptations. We take it for granted today that a film is enhanced by sound but it was not a view unanimously held in the early period of sound cinema. While there was a substantial degree of skepticism in the late 1920s and early 30s about the advantages of sound, what we would call technophobia today, the inclusion of speech in screen versions of literary and theatrical works, undeniably revised what it was to be an adaptation: words. Focusing on promotional materials, Adaptations in the Sound Era tracks early attempts.
Descripción Física:1 recurso electrónico
Formato:Forma de acceso: World Wide Web.
Bibliografía:Incluye referencias bibliográficas e índice.
ISBN:9781623564681
9781501300356
9781623562021