John Gower in England and Iberia manuscripts, influences, reception

John Gower's great poem, the Confessio Amantis, was the first work of English literature translated into any European language. Occasioned by the existence in Spain of fifteenth-century Portuguese and Spanish manuscripts ofthe Confessio, the nineteen essays brought together here represent new a...

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Detalles Bibliográficos
Autor Corporativo: John Gower Society, issuing body (issuing body)
Otros Autores: Sáez Hidalgo, Ana, editor (editor), Yeager, Robert F., editor
Formato: Libro electrónico
Idioma:Inglés
Publicado: Suffolk : Boydell & Brewer 2014.
Colección:CUP ebooks.
Acceso en línea:Conectar con la versión electrónica
Ver en Universidad de Navarra:https://innopac.unav.es/record=b42049787*spi
Descripción
Sumario:John Gower's great poem, the Confessio Amantis, was the first work of English literature translated into any European language. Occasioned by the existence in Spain of fifteenth-century Portuguese and Spanish manuscripts ofthe Confessio, the nineteen essays brought together here represent new and original approaches to Gower's role in Anglo-Iberian literary relations. They include major studies of the palaeography of the Iberian manuscripts; of the ownership history of the Portuguese Confessio manuscript; of the glosses of Gowerian manuscripts; and of the manuscript of the Yale Confessio Amantis. Other essays situate the translations amidst Anglo-Spanish relations generally in the fourteenth and fifteenth centuries; examine possible Spanish influences on Gower's writing; and speculate on possible providers of the Confessio to Philippa, daughter of John of Gaunt and queenof Portugal. Further chapters broaden the scope of the volume. Amongst other topics, they look at Gower's use of Virgilian/Dantean models; classical gestures in the Castilian translation; Gower's conscious contrasting of epic ideals and courtly romance; nuances of material goods and the idea of "the good" in the Confessio; Marxian aesthetics, Balzac, and Gowerian narrative in late medieval trading culture between England and Iberia; reading the Confessio through the lens of gift exchange; literary form in Gower's later Latin poems; Gower and Alain Chartier as international initiators of a new "public poetry"; and the modern sales history of manuscript and early printed copies of the Confessio, and what ir reveals about literary trends. Ana Sáez Hidalgo is Associate Professor at the University of Valladolid, Spain; R.F. Yeager is Professor of English and World Languages and chair of the department at the University of West Florida. Contributors: María Bullón-Fernández, David R. Carlson, Siân Echard, A.S.G. Edwards, Robert R. Edwards, Tiago Viúla de Faria, Andrew Galloway, Fernando Galván, Marta María Gutiérrez Rodríguez, Mauricio Herrero Jiménez, Ethan Knapp, Roger A. Ladd, Alberto Lázaro, María Luisa López-Vidriero Abelló, Matthew McCabe, Alastair J. Minnis, Clara Pascual-Argente, Tamara Pérez-Fernández, Barbara A. Shailor, Winthrop Wetherbee.
Notas:Title from publisher's bibliographic system (viewed on 02 Oct 2015).
Descripción Física:1 recurso electrónico (ix, 335 p.)
Formato:Forma de acceso: World Wide Web.
ISBN:9781782042990