Cubism and Futurism spiritual machines and the cinematic effect

At its inception, the cinema was understood by many to be an electric art, akin to X-rays, coloured light, and sostnic energy. This book examines the two movements' engagement with the Faraday and Maxwell's new science of energy, and shows energy came to be understood as a spiritual phenom...

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Detalles Bibliográficos
Autor principal: Elder, R. Bruce (-)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Waterloo, Ontario : Wilfrid Laurier University Press 2018.
Colección:EBSCO Academic eBook Collection Complete.
Film and media studies.
Acceso en línea:Conectar con la versión electrónica
Ver en Universidad de Navarra:https://innopac.unav.es/record=b40553061*spi
Descripción
Sumario:At its inception, the cinema was understood by many to be an electric art, akin to X-rays, coloured light, and sostnic energy. This book examines the two movements' engagement with the Faraday and Maxwell's new science of energy, and shows energy came to be understood as a spiritual phenomenon and the cinema as a pneumatic machine.
Descripción Física:1 recurso electrónico
Formato:Forma de acceso: World Wide Web.
Bibliografía:Incluye referencias bibliográficas e índice.
ISBN:9781771122719