Between the black box and the white cube expanded cinema and postwar art
Today, the moving image is ubiquitous in global contemporary art. This book travels back to the 1950s and 1960s, when the rise of television caused movie theatres to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining tha...
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Chicago ; London :
University of Chicago Press
2014.
|
| Colección: | EBSCO Academic eBook Collection Complete.
|
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b40515643*spi |
| Sumario: | Today, the moving image is ubiquitous in global contemporary art. This book travels back to the 1950s and 1960s, when the rise of television caused movie theatres to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Uroskie argues that the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theatre to original spaces and contexts. |
|---|---|
| Descripción Física: | x, 273 p. |
| Formato: | Forma de acceso: World Wide Web. |
| Bibliografía: | Incluye referencias bibliográficas e índice. |
| ISBN: | 9780226109022 |
