Popular music and the new auteur visionary filmmakers after MTV
Music videos widened the creative vocabulary of filmmaking, starting with the launch of MTV in 1981, and continuing through the expansion of cable TV and the proliferation of the PC and of digital video. This study looks at seven visionary directors, most of them American, who have allowed music-vid...
| Otros Autores: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
New York :
Oxford University Press
[2013]
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| Colección: | EBSCO Academic eBook Collection Complete.
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| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b4051562x*spi |
| Sumario: | Music videos widened the creative vocabulary of filmmaking, starting with the launch of MTV in 1981, and continuing through the expansion of cable TV and the proliferation of the PC and of digital video. This study looks at seven visionary directors, most of them American, who have allowed music-video-induced changes to infiltrate their feature films, and defines these filmmakers' relation to the soundtrack as their key authorial gesture. |
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| Descripción Física: | vi, 217 p. : il |
| Formato: | Forma de acceso: World Wide Web. |
| Bibliografía: | Incluye referencias bibliográficas (p. 203-209) e índice. |
| ISBN: | 9780199369560 9780199827343 |
