Film as embodied art bodily meaning in the cinema of Stanley Kubrick
Presentación del editor: "How do the films of Kubrick communicate mental events of characters in a purely visual manner? And how does the music in his films express meaning when music in essence is an abstract and non-representational art form? Drawing on state-of-the-art discoveries within emb...
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| Formato: | Libro |
| Idioma: | Inglés |
| Publicado: |
Boston :
Academic Studies Press
2019
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| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b40145049*spi |
| Sumario: | Presentación del editor: "How do the films of Kubrick communicate mental events of characters in a purely visual manner? And how does the music in his films express meaning when music in essence is an abstract and non-representational art form? Drawing on state-of-the-art discoveries within embodied cognitive science, this book sets out to address these and other questions by revealing Kubrick as a genuine artist of embodied meaning-making, a filmmaker who perhaps more than any other, uses all the resources of filmmaking in such a controlled and dense manner as to elicit the embodied tools necessary to achieve a level of conceptual clarity" |
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| Descripción Física: | 228 p. : il. ; 22 cm |
| Bibliografía: | Incluye referencias bibliográficas, discografía y filmografía |
| ISBN: | 9781644691120 |
