Deconstructing Disney

Demonising Disney is nothing new. Disney films have long been synonymous with a certain conservative, patriarchal, heterosexual ideology, occupying a centre-stage position at the heart of the 'evil empire'. Deconstructing Disney takes issue with knee-jerk polarities, overturning classical...

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Detalles Bibliográficos
Autor principal: Byrne, Eleanor (-)
Otros Autores: McQuillan, Martin
Formato: Libro electrónico
Idioma:Inglés
Publicado: London ; Sterling, Va. : Pluto Press 1999.
Colección:EBSCO Academic eBook Collection Complete.
Acceso en línea:Conectar con la versión electrónica
Ver en Universidad de Navarra:https://innopac.unav.es/record=b38500462*spi
Descripción
Sumario:Demonising Disney is nothing new. Disney films have long been synonymous with a certain conservative, patriarchal, heterosexual ideology, occupying a centre-stage position at the heart of the 'evil empire'. Deconstructing Disney takes issue with knee-jerk polarities, overturning classical oppositions and recognising that, just as the Disney 'text' has changed, so too must the terms of critical engagement. If we are interested in the political circumstances that oppress us, then we can never know too much about Disney. This book is a sharply focused deconstruction of the political culture - and the cultural politics - of the Disney canon in the years since the emergence of the so-called New World Order. Eleanor Byrne and Martin McQuillan offer a critical encounter with Disney which alternates between readings of individual texts, and wider thematic concerns such as race, gender and sexuality, the broader context of American contemporary culture, and the global ambitions and insularity of the last great superpower.019003001.
Descripción Física:vii, 209 p.
Formato:Forma de acceso: World Wide Web.
Bibliografía:Incluye filmografía: p. 177-181.
Incluye referencias bibliográficas (p. 181-205) e índice.
ISBN:9780585425764
9781849645294