Studies in Strindberg

In this volume Strindberg's accomplishments as a dramatist are set against his achievements in other fields, as an autobiographer, painter, letter writer and theatre director. There are studies of individual plays, in which Strindberg's theatre is related both to naturalism and the theatre...

Descripción completa

Detalles Bibliográficos
Autor principal: Robinson, Michael, 1944 July 13- (-)
Formato: Libro electrónico
Idioma:Inglés
Publicado: London : Ubiquity Press : Norvik Press 2013.
Colección:JSTOR Open Access monographs.
Norvik Press series.
Acceso en línea:Conectar con la versión electrónica
Ver en Universidad de Navarra:https://innopac.unav.es/record=b37915253*spi
Descripción
Sumario:In this volume Strindberg's accomplishments as a dramatist are set against his achievements in other fields, as an autobiographer, painter, letter writer and theatre director. There are studies of individual plays, in which Strindberg's theatre is related both to naturalism and the theatre of the absurd, and of the role played by his life-long interest in historical drama. Other essays range from studies of the problems posed by Strindberg's preoccupation with converting his own life into literature to a consideration of the importance he placed on letterwriting as a model for writing of all kinds. His letters are also used to explore his ideas about the theatre. A recurring concern is with the period of turmoil known as the Inferno Crisis, in which Strindberg refashioned himself as a writer. Robinson examines the importance of Strindberg's painting for his renewal as a writer and situates the achievement of his later works in relation to Symbolism and to Musical Expressionism. (DOI: 10.5334/bac).
Notas:Resource simultaneously available in PDF, EPUB format, and Kindle format.
Descripción Física:192 p.
Formato:Forma de acceso: World Wide Web.
Bibliografía:Incluye referencias bibliográficas (p. 167-186) e índice.
ISBN:9781909188105
9781909188068
9781909188020