Shot on location postwar American cinema and the exploration of real place

Renowned film scholar R. Barton Palmer explores the historical, ideological, economic, and technical developments that led Hollywood filmmakers of the late 1940s and 1950s to increasingly head outside the studio and capture footage of real places. Examining works ranging from Sunset Blvd. to The Sea...

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Detalles Bibliográficos
Autor principal: Palmer, R. Barton, 1946- (-)
Formato: Libro electrónico
Idioma:Inglés
Publicado: New Brunswick, New Jersey : Rutgers University Press [2016]
Colección:EBSCO Academic eBook Collection Complete.
Techniques of the moving image.
Acceso en línea:Conectar con la versión electrónica
Ver en Universidad de Navarra:https://innopac.unav.es/record=b37329170*spi
Descripción
Sumario:Renowned film scholar R. Barton Palmer explores the historical, ideological, economic, and technical developments that led Hollywood filmmakers of the late 1940s and 1950s to increasingly head outside the studio and capture footage of real places. Examining works ranging from Sunset Blvd. to The Searchers, Shot on Location discovers the massive influence that wartime newsreels had on the postwar Hollywood film, as the blurring of the formal boundaries between cinematic journalism and fiction lent a ""reality effect"" to otherwise implausible stories.
Descripción Física:1 recurso electrónico
Formato:Forma de acceso: World Wide Web.
Bibliografía:Incluye referencias bibliográficas e índice.
ISBN:9780813564104