Avant-Garde Theatre Sound Staging Sonic Modernity

Sound experimentation by avant-garde theatre artists of the late-nineteenth and early-twentieth centuries is an important but ignored aspect of theatre history. Curtin explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, pe...

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Detalles Bibliográficos
Autor principal: Curtin, Adrian (-)
Autor Corporativo: SpringerLink (-)
Formato: Libro electrónico
Idioma:Inglés
Publicado: New York : Palgrave Macmillan US : Imprint: Palgrave Macmillan 2014.
Colección:Avant-Gardes in Performance.
Springer eBooks.
Acceso en línea:Conectar con la versión electrónica
Ver en Universidad de Navarra:https://innopac.unav.es/record=b36196824*spi
Descripción
Sumario:Sound experimentation by avant-garde theatre artists of the late-nineteenth and early-twentieth centuries is an important but ignored aspect of theatre history. Curtin explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction. .
Descripción Física:XIV, 260 p. 12 illus
Formato:Forma de acceso: World Wide Web.
ISBN:9781137324795