Gothic fiction and the invention of terrorism the politics and aesthetics of fear in the age of the reign of terror
"This book examines the connections between the growth of'terror fiction' - the genre now known as 'Gothic' - in the late eighteenth century, and the simultaneous appearance of the conceptual origins of'terrorism' as a category of political action. In the 1790s, Cr...
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
London ; New York :
Bloomsbury
2013.
|
| Colección: | EBSCO Academic eBook Collection Complete.
|
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b3561139x*spi |
| Sumario: | "This book examines the connections between the growth of'terror fiction' - the genre now known as 'Gothic' - in the late eighteenth century, and the simultaneous appearance of the conceptual origins of'terrorism' as a category of political action. In the 1790s, Crawford argues, four inter-connected bodies of writing arose in Britain: the historical mythology of the French Revolution, the political rhetoric of 'terrorism', the genre ofpolitical conspiracy theory, and the literary genre of Gothic fiction, known atthe time as 'terrorist novel writing'. All four bodies of writing drew heavily upon one another, in order to articulate their shared sense of the radical and monstrous otherness of the extremes of human evil, a sense which was quite newto the eighteenth century, but has remained central to the ways in which wehave thought and written about evil and violence ever since"-- |
|---|---|
| Descripción Física: | 1 recurso electrónico xiv, 217 p. : il |
| Formato: | Forma de acceso: World Wide Web. |
| Bibliografía: | Incluye referencias bibliográficas (p. 199-210) e índice. |
| ISBN: | 9781472509956 9781474227780 |
