Italian neorealist cinema
"In this new study, Torunn Haaland argues that neorealism was a cultural moment based on individual optiques. She accounts for the tradition's coherence in terms of its moral commitment to creating critical viewing experiences around underrepresented realities and marginalised people. By e...
| Autor principal: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press
2012.
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| Colección: | EBSCO Academic eBook Collection Complete.
Traditions in world cinema. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b32550261*spi |
| Sumario: | "In this new study, Torunn Haaland argues that neorealism was a cultural moment based on individual optiques. She accounts for the tradition's coherence in terms of its moral commitment to creating critical viewing experiences around underrepresented realities and marginalised people. By examining both acclaimed masterpieces and lesser known works, parallels are drawn to realist theories and to past and present cinematic traditions. The ways in which successive generations of directors have readopted, negotiated and broken with the themes and aesthetics of neorealist film are discussed and evaluated, along with neorealist tendencies in other arts, such as literature." [Publisher's description]. |
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| Descripción Física: | xii, 235 p. : il |
| Formato: | Forma de acceso: World Wide Web. |
| Bibliografía: | Incluye referencias bibliográficas (p. 222-232) e índice. |
| ISBN: | 9780748636136 9780748664771 |
