Shot/Countershot Film Tradition and Women's Cinema
Do films made by women comprise a ""counter-cinema"" radically different from the dominant tradition? Feminist film critics contend that women filmmakers do present from a distinctive vision, or ""countershot, "" and Lucy Fischer argues persuasively for this v...
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Princeton :
Princeton University Press
2014.
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| Colección: | EBSCO Academic eBook Collection Complete.
Princeton Legacy Library. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b32209587*spi |
| Sumario: | Do films made by women comprise a ""counter-cinema"" radically different from the dominant tradition? Feminist film critics contend that women filmmakers do present from a distinctive vision, or ""countershot, "" and Lucy Fischer argues persuasively for this view. In rich detail this book relates the idea of a counter-cinema to theories of intertextuality and locates it in the broad context of recent feminist film, literary, and art criticism. Fischer also employs an original critical model of the dialogue between women's cinema and film tradition in the very organization of the book. Each c. |
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| Notas: | Cover; Contents. |
| Descripción Física: | 361 p. |
| Formato: | Forma de acceso: World Wide Web. |
| ISBN: | 9781400859955 |
