The recurrence of fate theatre & memory in twentieth-century Russia
How, why, and according to whose definitions and requirements does a culture self-consciously create memory and project its fate? In this remarkable book, the first in English to treat Russian history as theatre and cultural performance, Spencer Golub reveals the performative nature of Russian histo...
| Autor principal: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Iowa City, Iowa :
University of Iowa Press
1994.
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| Colección: | EBSCO Academic eBook Collection Complete.
Studies in theatre history and culture. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b32099356*spi |
| Sumario: | How, why, and according to whose definitions and requirements does a culture self-consciously create memory and project its fate? In this remarkable book, the first in English to treat Russian history as theatre and cultural performance, Spencer Golub reveals the performative nature of Russian history in the twentieth century and the romantic imprisonment/self-imprisonment of the creative intelligentsia within this scenario. |
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| Descripción Física: | xiii, 277 p. : il |
| Formato: | Forma de acceso: World Wide Web. |
| Bibliografía: | Incluye referencias bibliográficas (p. 201-262) e índice. |
| ISBN: | 9781587290886 |
