Marginal sights staging the Chinese in America

Since the beginning of the Western tradition in drama, dominant cultures have theatrically represented marginal or foreign racial groups as "other" & different form "normal" people, not completely human, uncivilized, quaint, exotic, comic. Playwrights and audiences alike have...

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Detalles Bibliográficos
Autor principal: Moy, James S., 1948- (-)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Iowa City : University of Iowa 1993.
Colección:EBSCO Academic eBook Collection Complete.
Studies in theatre history and culture.
Acceso en línea:Conectar con la versión electrónica
Ver en Universidad de Navarra:https://innopac.unav.es/record=b32098686*spi
Descripción
Sumario:Since the beginning of the Western tradition in drama, dominant cultures have theatrically represented marginal or foreign racial groups as "other" & different form "normal" people, not completely human, uncivilized, quaint, exotic, comic. Playwrights and audiences alike have been fascinated with racial difference, and this fascination has depended upon a process of fetishization. By the time Asians appeared in the United States, the framework for their constructed Lotus Blossom and Charlie Chan stereotypes had preceded them.
Descripción Física:158 p. : il
Formato:Forma de acceso: World Wide Web.
Bibliografía:Incluye referencias bibliográficas (p. 153-158).
ISBN:9781587291609