Marginal sights staging the Chinese in America
Since the beginning of the Western tradition in drama, dominant cultures have theatrically represented marginal or foreign racial groups as "other" & different form "normal" people, not completely human, uncivilized, quaint, exotic, comic. Playwrights and audiences alike have...
Autor principal: | |
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Formato: | Libro electrónico |
Idioma: | Inglés |
Publicado: |
Iowa City :
University of Iowa
1993.
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Colección: | EBSCO Academic eBook Collection Complete.
Studies in theatre history and culture. |
Acceso en línea: | Conectar con la versión electrónica |
Ver en Universidad de Navarra: | https://innopac.unav.es/record=b32098686*spi |
Sumario: | Since the beginning of the Western tradition in drama, dominant cultures have theatrically represented marginal or foreign racial groups as "other" & different form "normal" people, not completely human, uncivilized, quaint, exotic, comic. Playwrights and audiences alike have been fascinated with racial difference, and this fascination has depended upon a process of fetishization. By the time Asians appeared in the United States, the framework for their constructed Lotus Blossom and Charlie Chan stereotypes had preceded them. |
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Descripción Física: | 158 p. : il |
Formato: | Forma de acceso: World Wide Web. |
Bibliografía: | Incluye referencias bibliográficas (p. 153-158). |
ISBN: | 9781587291609 |