Madame Bovary at the movies adaptation, ideology, context

Some eighteen film directors from France to the United States, Germany to India, have applied themselves to the task of adapting Madame Bovary to the screen. Why has Flaubert's 1857 classic novel been so popular with filmmakers? What challenges have they had to meet? What ideologies do their ad...

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Detalles Bibliográficos
Autor principal: Donaldson-Evans, Mary (-)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Amsterdam ; New York : Rodopi 2009.
Colección:EBSCO Academic eBook Collection Complete.
Faux titre ; 325.
Acceso en línea:Conectar con la versión electrónica
Ver en Universidad de Navarra:https://innopac.unav.es/record=b31505041*spi
Descripción
Sumario:Some eighteen film directors from France to the United States, Germany to India, have applied themselves to the task of adapting Madame Bovary to the screen. Why has Flaubert's 1857 classic novel been so popular with filmmakers? What challenges have they had to meet? What ideologies do their adaptations serve? Madame Bovary at the Movies seeks to answer these questions, avoiding value judgments based on the notion of fidelity to the novel. In-depth analyses are reserved for the studio films of Renoir, Minnelli and Chabrol and the small-screen adaptation of Fywell. As the first book-length exam.
Descripción Física:218 p. : il
Formato:Forma de acceso: World Wide Web.
Bibliografía:Incluye referencias bibliográficas, filmografía e índice.
ISBN:9781441601056