Beyond the Soundtrack Representing Music in Cinema

This groundbreaking collection by the most distinguished musicologists and film scholars in their fields gives long overdue recognition to music as equal to the image in shaping the experience of film. Refuting the familiar idea that music serves as an unnoticed prop for narrative, these essays demo...

Descripción completa

Detalles Bibliográficos
Autor principal: Goldmark, Daniel (-)
Otros Autores: Kramer, Lawrence, Leppert, Richard
Formato: Libro electrónico
Idioma:Inglés
Publicado: Berkeley : University of California Press 2007.
Colección:EBSCO Academic eBook Collection Complete.
Ahmanson Foundation Book in the Humanities.
Acceso en línea:Conectar con la versión electrónica
Ver en Universidad de Navarra:https://innopac.unav.es/record=b3137637x*spi
Descripción
Sumario:This groundbreaking collection by the most distinguished musicologists and film scholars in their fields gives long overdue recognition to music as equal to the image in shaping the experience of film. Refuting the familiar idea that music serves as an unnoticed prop for narrative, these essays demonstrate that music is a fully imagined and active power in the worlds of film. Even where films do give it a supporting role--and many do much more--music makes an independent contribution. Drawing on recent advances in musicology and cinema studies, Beyond the Soundtrack interprets the cinematic repr.
Notas:Description based upon print version of record.
Descripción Física:333 p.
Formato:Forma de acceso: World Wide Web.
ISBN:9780520940550