Scapeland writing the landscape from Diderot's Salons to the postmodern museum

Scapeland: Writing the Landscape from Diderot's Salons to the Postmodern Museum is a comparative, interdisciplinary study tracing theories of the sublime and a history of spectatorship from Diderot's eighteenth-century French Salons , through art criticism by Baudelaire and Breton, to Jean...

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Detalles Bibliográficos
Autor principal: Pierce, Gillian Borland, 1966- (-)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Amsterdam ; New York, NY : Rodopi 2012.
Colección:Faux titre ; 383.
Acceso en línea:Conectar con la versión electrónica
Ver en Universidad de Navarra:https://innopac.unav.es/record=b29220026*spi
Descripción
Sumario:Scapeland: Writing the Landscape from Diderot's Salons to the Postmodern Museum is a comparative, interdisciplinary study tracing theories of the sublime and a history of spectatorship from Diderot's eighteenth-century French Salons , through art criticism by Baudelaire and Breton, to Jean-François Lyotard's postmodern exhibition Les Immatériaux . In the Salons , an exploration of the painted landscape becomes an encounter with both the limits of representation and the infinite possibilities of fiction. Baudelaire and Breton explore similar limits in their work, set against the backdrop of the.
Descripción Física:240 p. : il
Formato:Forma de acceso: World Wide Web.
Bibliografía:Incluye referencias bibliográficas (p. [229]-240).
ISBN:9789401208697