La révolution Cézanne

La Haute Note jaune: "La Chambre à Arles" (1888 & 1889) In October 1888, Vincent Van Gogh, who had lived for eight months at Arles, painted his room. A year later, when he found himself shut up in the asylum of Saint-Paul de Mausole near Saint-Rémy, he felt the need to make two copies...

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Detalles Bibliográficos
Otros Autores: Jaubert, Alain (-), Cuvelier, Marcel
Formato: DVD
Idioma:Francés
Publicado: [Paris] : [Issy-les-Moulineaux]: Ed. Montparnasse ; Arte France développement cop. 2006
Colección:Palettes / une série écrite et réalisée par Alain Jaubert
Materias:
Acceso en línea:Ver más información
Ver en Universidad de Navarra:https://innopac.unav.es/record=b24397374*spi
Descripción
Sumario:La Haute Note jaune: "La Chambre à Arles" (1888 & 1889) In October 1888, Vincent Van Gogh, who had lived for eight months at Arles, painted his room. A year later, when he found himself shut up in the asylum of Saint-Paul de Mausole near Saint-Rémy, he felt the need to make two copies of this painting he so loved. This picture, famous because it has been reproduced in several different graphic formats, meant a great deal to the painter
To mark the centenary of Paul Gauguin's death, the series "Palettes" focuses on a picture painted during his first stay on Tahiti. Gauguin started out in the merchant navy, then became a stockbroker on the Paris Bourse. He married a young Danish girl, Mette Gad, and had a family with her. In the meantime, he had begun to paint. To produce his "tone poems", he wandered Brittany, Panama and Martinique, "lands of primitive freedoms", constantly searching for beings not yet spoiled by progress who were imbued with an archaic religious quality. He was to do his best work in Polynesia. Arearea ("Joyousness") was painted during his first stay on Tahiti. When it was exhibited in Durand-Ruel's gallery in 1893, critics were especially puzzled by the orange dog in the foreground
La Violence du motif: "La Montagne Sainte-Victoire" (1870-1906) After several years of travelling, Cézanne moved back to Aix-en-Provence, his place of birth. As of this point, he barely left the area, and spent his days painting in his studio or outdoors. And the local landscape, with the majestic Montagne Sainte-Victoire, became his primary subject and motif. He captured the mountain under every light, from different points of view, in different styles, and during different seasons, more than sixty times, in oil, drawings, and watercolour. A strange obstination, demanding an inquiry
Descripción Física:1 DVD (090 min.) : son., col. ; 12 cm
Público:Para todos los públicos