Le Grand siècle français
Le dessous des cartes : "Le Tricheur à l'as de carreau" (1635) Musée du Louvre, Paris We are in the midst of a card game that resembles poker. Three players and a servant girl, the mouths are closed, the gestures suspended... The cheater, with an ace of spades hidden in his belt, loo...
| Otros Autores: | , |
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| Formato: | DVD |
| Idioma: | Francés |
| Publicado: |
[Paris] : [Issy-les-Moulineaux]:
Ed. Montparnasse ; Arte France développement
cop. 2003
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| Colección: | Palettes / une série écrite et réalisée par Alain Jaubert
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| Materias: | |
| Acceso en línea: | Ver más información |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b24395687*spi |
| Sumario: | Le dessous des cartes : "Le Tricheur à l'as de carreau" (1635) Musée du Louvre, Paris We are in the midst of a card game that resembles poker. Three players and a servant girl, the mouths are closed, the gestures suspended... The cheater, with an ace of spades hidden in his belt, looks at us directly; his face is illuminated. Unnoticed for more than two centuries, Georges de La Tour's painting was most often attributed to other artists. In 1915, thanks to a German critic, the true painter was revealed Les Théâtres du soleil: "Port de mer au soleil couchant" (1639) Claude Gellée, called "Le Lorrain" from his place of birth, has been considered the greatest landscapist of the 17th century. His spent much of his life in Italy, and was interested in the study of nature and the exploration of light. He painted seascapes from the many studies he made in the open air. He was the first to attempt to depict the sun on canvas and to explore its effects as accurately as possible. Situated high up, the point of view supposes an onlooker who is standing above the scene. The colors, the spacing of the figures, the lighting close to the ground, and the perspective of the buildings all converge to produce an illusion of depth. Alain Jaubert reveals the secrets of the canvas "Seaport at Sunset," the painter's intentions, and the techniques used by the painter. After Claude Lorrain, painters would finally dare to look directly at the sun Admirable tremblement du temps: "Les Quatre Saisons" (1660 - 1664) Musée du Louvre, Paris Born in Normandy in 1594, Poussin lived and painted in Rome most of his life. Through his study on Ancient Rome and the Italian Renaissance, he created a refined art that remained the model for the classicising artists. His influence in Cézanne has ensured him an important place in the development of the 20th century. In the course of his last years in Rome, Nicolas Poussin completed four paintings for the Duke de Richelieu depicting the seasons. Considered to be his pictorial testament, this sumptuous series stunned his contemporaries. Composed according to an exact structure, the four paintings create a series with multiple meanings. Videographics are used throughout the film to focus on key elements of the painting and to analyse its structure and composition |
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| Descripción Física: | 1 DVD (090 min.) : son., col. ; 12 cm |
| Público: | Para todos los públicos |
| ISBN: | 3346030017203 |
