Mystères sacrés
Miracle dans la loggia: "La Vierge au chancelier Rolin" (circa 1436) Musée du Louvre, Paris The setting of a Roman gallery brings together four characters, Nicolas Rolin, the Duke of Burgundy's minister of finance, is on his knees before the Madonna, who is being crowned by an angel....
| Otros Autores: | , |
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| Formato: | DVD |
| Idioma: | Francés |
| Publicado: |
[Paris] : [Issy-les-Moulineaux]:
Ed. Montparnasse ; Arte France développement
cop. 2007
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| Colección: | Palettes / une série écrite et réalisée par Alain Jaubert
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| Materias: | |
| Acceso en línea: | Ver más información |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b24394506*spi |
| Sumario: | Miracle dans la loggia: "La Vierge au chancelier Rolin" (circa 1436) Musée du Louvre, Paris The setting of a Roman gallery brings together four characters, Nicolas Rolin, the Duke of Burgundy's minister of finance, is on his knees before the Madonna, who is being crowned by an angel. Rolin is being blessed by the infant Jesus. Outside, a rich landscape is peopled with a number of unknown characters. A complex painting, difficult to decipher The Isenheim Altar, Mathias Grünewald, c.1512-1515 (Unterlinden Museum, Colmar) This work was originally a vast altarpiece whose four jointed panels enclosed statues of Saint Anthony and various other characters. It was probably opened on the Saint's feast-day to reveal the statues, and two scenes from his life depicted on the wing-panels. For the principal Church festivals, it could be opened in a different way to show the Annunciation, a Choir of Angels, a Nativity and a Resurrection. When closed, the altarpiece depicted a horrifying Crucifixion, framed by two smaller panels depicting Saint Sebastian and Saint Anthony. Each panel used specific forms of expression which have admired by millions down the centuries; but the Altar had a specific purpose: it was created for the chapel of a hospital, where Antonite monks cared for patients suffering from Saint Anthony's Fire or sacred fire (ergotism caused by eating rye bread with fungal infection), a degenerative disease accompanied by hallucinatory visions like those illustrated in the Temptation Un tableau en procès: "Le Repas chez Levi" (1573) Galleria dell'Accademia, Venice A painting that changes names: Veronese is brought before the tribunal of the Inquisition: the appearance of the famous "green Veronese"; a monk who cut the canvas into three pieces to save it from a fire. Here is the immense talent of Veronese, his guile, his claim, to the rights of a creator to have an imagination The St. Matthew Cycle, Caravaggio, 1600 (Church of San Luigi dei Francesi, Rome) In 1599, Caravaggio was hired to paint the two side walls of the Church of San Luigi dei Francesi, in Rome. He completed the task the following year. As the client had requested, the two side walls illustrate the calling and martyrdom of his patron saint, Matthew, one of the four Evangelists. On the left-hand wall is the "Calling": seven men in a dimly-lit room without depth - a scene from the Gospels in modern dress. On the far right, Christ has just entered and is pointing to Matthew. The attitudes and objects, the light, and the faces are all seen as part of a narrative unfolding in time. X-rays show that the painter changed his mind several times. On the right-hand wall is the "Martyrdom": the scene is even more complex, and contains thirteen figures - the executioner, witnesses, the victim, and the angel - in a arabesque composition which is one of the most impressive in the whole history of painting. X-rays show that the composition was originally quite different and that Caravaggio, who appears never to have made preliminary sketches, improvised directly onto the surface, working at astonishing speed |
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| Descripción Física: | 1 DVD (120 min.) : son., col. ; 12 cm |
| Público: | Para todos los públicos |
| ISBN: | 3346030017203 |
