Du romantisme au réalisme
Sous les pavés, l'image: "La Liberté guidant le peuple" (1830) Musée du Louvre, Paris In keeping with the objective of this series, Alain Jaubert flushes out the details, interprets the symbols, and analyses the composition. Why such polemics when the painting was unveiled in 1831. W...
| Otros Autores: | , |
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| Formato: | DVD |
| Idioma: | Francés |
| Publicado: |
[Paris] :
Ed. Montparnasse; [Issy-les-Moulineaux]: Arte France développement
cop. 2002
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| Colección: | Palettes / une série écrite et réalisée par Alain Jaubert
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| Materias: | |
| Acceso en línea: | Ver más información |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b2403356x*spi |
| Sumario: | Sous les pavés, l'image: "La Liberté guidant le peuple" (1830) Musée du Louvre, Paris In keeping with the objective of this series, Alain Jaubert flushes out the details, interprets the symbols, and analyses the composition. Why such polemics when the painting was unveiled in 1831. Was it the nudity of this armed woman? Or was it the triumphant people in this realistic setting? The canvas did not come to the Louvre until 1874, well after the death of the painter Le Regard captif: "Le Bain turc" (1859-1863) Musée du Louvre, Paris Having arrived at the end of his life, Ingres assembled 25 nude women in a lovingly prepared canvas. Even today, the painting inspires as much repulsion as it does fascination "Un enterrement à Ornans" (1851) In 1851, Courbet's painting was exhibited at the Salon. The work, which simply represents a funeral ceremony, nonetheless created a scandal... Courbet's realism is not just a simple photographic reproduction of real life, but a veritable metaphysical experience for the eye and the sensorial perception, a new way of implicating the spectator in a subtle game of mirrors. Inspite its apparent simplicity, the painting is a complex work full of surprises |
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| Descripción Física: | 1 DVD (090 min.) : son., col. ; 12 cm |
