Against autonomy global dialectics of cultural exchange

This book investigates 'cultural instruments', meaning normative forms of analysis and practice that are central to Western culture and in the course of their history came to be ways of understanding and controlling different cultures. The book explores the interlocking histories of cultur...

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Detalles Bibliográficos
Autor principal: Reiss, Timothy J., 1942- (-)
Formato: Libro
Idioma:Inglés
Publicado: Stanford, Calif. : Stanford University Press 2002
Colección:Cultural memory in the present
Materias:
Ver en Universidad de Navarra:https://innopac.unav.es/record=b16216726*spi
Descripción
Sumario:This book investigates 'cultural instruments', meaning normative forms of analysis and practice that are central to Western culture and in the course of their history came to be ways of understanding and controlling different cultures. The book explores the interlocking histories of cultural instruments from antiquity to the early Enlightenment and their instrumental use and reworking by different cultures, moving from Europe to Africa and the Americas, especially the Caribbean. In the process, the author gives close readings of works by a wide range of authors. Many other authors' works become part of the book's general argument about how cultures are made, how they figure both themselves and other cultures, and how they mutually interact (when they do) through productions of what the author calls the 'fictive imagination' - what in the West is called 'art' but in different cultures may take different names and serve different purposes.
Descripción Física:xx, 532 p. ; 24 cm
Bibliografía:Includes bibliographical references (p. [469]-508) and index.
ISBN:9780804743495
9780804743501