Modernism in Russian Piano Music Skriabin, Prokofiev, and Their Russian Contemporaries
The purpose of this study is to review some of the techniques developed by Russian composers in the early part of the twentieth century, down to the active assertion of state control of the arts in the Soviet Union, which began in 1929. The study centers principally on music for the piano, with an e...
Autor principal: | |
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Formato: | Libro electrónico |
Idioma: | Inglés |
Publicado: |
Bloomington, Ind. :
Indiana University Press
1993
1993. |
Colección: | Russian music studies (Bloomington, Ind.)
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Materias: | |
Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009649790106719 |
Sumario: | The purpose of this study is to review some of the techniques developed by Russian composers in the early part of the twentieth century, down to the active assertion of state control of the arts in the Soviet Union, which began in 1929. The study centers principally on music for the piano, with an emphasis on harmony and both tonal and nontonal structures. |
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Descripción Física: | 1 online resource (2 v.) |
Bibliografía: | Includes bibliographical references and index. |