Opera buffa und Spielkultur : eine spieltheoretische Untersuchung am Beispiel des venezianischen Repertoires des späten 18. Jahrhunderts
The playful element contributes significantly to the high entertainment value of the opera buffa. This aspect has so far been largely neglected by research. The generic term "dramma giocoso", which was common in the 18th century, indicates the central role of play in this form of opera. On...
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| Formato: | Libro electrónico |
| Idioma: | Alemán |
| Publicado: |
Wien, Austria :
Böhlau
2014
2014. |
| Colección: | Wiener musikwissenschaftliche Beiträge ;
Band 25. |
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| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009438334106719 |
| Sumario: | The playful element contributes significantly to the high entertainment value of the opera buffa. This aspect has so far been largely neglected by research. The generic term "dramma giocoso", which was common in the 18th century, indicates the central role of play in this form of opera. On the basis of game theories from different disciplines - anthropology, psychology, education and philosophy - Ingrid Schraffl examines the multi-layered moments of the game of opera buffa and its performance context in the repertoire of Venice, the "capital of pleasure" at the time. The concept of play thus serves as the key to interpreting the entire cultural phenomenon. |
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| Notas: | Bibliographic Level Mode of Issuance: Monograph |
| Descripción Física: | 1 online resource (403 pages) : illustrations; digital, PDF file(s) |
| Bibliografía: | Includes bibliographical references (pages 385 - 399) and index. |
