Transatlantic arias : early opera in Spain and the new world

Transatlantic arias early opera in Spain and the new world

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Through current theories of ideology, propaganda and musical reception, examines the development and impact of early opera in Spain and the Americas through close examination of the New World's first three extant operas: Tomás de Torrejón's Lima production of "La púrpura de la rosa&qu...

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Detalles Bibliográficos
Otros Autores: Gasta, Chad M. author (author)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Madrid, Spain ; Frankfurt am Main, Germany : Iberoamericana [2013]
Edición:1st ed
Colección:Biblioteca Áurea Hispánica.
Materias:
Opera > South America > 18th century.
Opera > Spain > 17th century.
Opera > Spain > 18th century.
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009438093606719
Descripción
Sumario:Through current theories of ideology, propaganda and musical reception, examines the development and impact of early opera in Spain and the Americas through close examination of the New World's first three extant operas: Tomás de Torrejón's Lima production of "La púrpura de la rosa" (1701), Domenico Zipoli's Jesuit opera, "San Ignacio de Loyola" (ca. 1720), and a recently-discovered indigenous opera from the Jesuit missions, the anonymous "San Francisco Xavier" (ca. 1720-1740).
Notas:Includes index.
Descripción Física:1 online resource (270 páginas)
ISBN:9783954872275

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