Installation art and the museum presentation and conservation of changing artworks

Installation art has become mainstream in artistic practices. However, acquiring and displaying such artworks means that curators and conservators are challenged to deal with obsolete technologies, ephemeral materials, and other issues concerning care and management of these artworks. By analyzing t...

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Detalles Bibliográficos
Autor principal: Saaze, Vivian van (-)
Autor Corporativo: OAPEN (-)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press 2013.
Edición:1st ed
Colección:Open Access e-Books
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Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009431122006719
Descripción
Sumario:Installation art has become mainstream in artistic practices. However, acquiring and displaying such artworks means that curators and conservators are challenged to deal with obsolete technologies, ephemeral materials, and other issues concerning care and management of these artworks. By analyzing three in-depth case studies, the author sheds new light on the key concepts of traditional conservation - authenticity, artist's intention, and the notion of ownership - while exploring how these concepts apply in contemporary art conservation.
Notas:Includes index.
Descripción Física:1 online resource (225 pages) : digital, PDF file(s)
Bibliografía:Includes bibliographical references (pages 193-212) and indexes.
ISBN:9789048517510