Disiecta Membra Musicae : Studies in Musical Fragmentology

Disiecta Membra Musicae Studies in Musical Fragmentology

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Although fragments from music manuscripts have occupied a place of considerable importance since the very early days of modern musicology, a collective, up-to-date, and comprehensive discussion of the various techniques and approaches for their study was lacking. On-line resources have also become i...

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Detalles Bibliográficos
Autor Corporativo: Centre for the Study of Manuscript funder (funder)
Otros Autores: Varelli, Giovanni (auth), Daniele, Sabaino, contributor (contributor), David, Catalunya, contributor (editor), David, Hiley, contributor, Giovanni, Varelli, contributor, Julia, Craig-McFeely, contributor, Jurij, Snoj, contributor, Karl, Kügle, contributor, Margaret, Bent, contributor, Paweł, Gancarczyk, contributor, Reinhard, Strohm, contributor, Sanna, Raninen, contributor, Susan, Rankin, contributor, Varelli, Giovanni, editor, Zsuzsa, Czagány, contributor
Formato: Libro electrónico
Idioma:Inglés
Publicado: Berlin ; Boston : De Gruyter 2020
[2020]
Colección:Studies in Manuscript Cultures
Materias:
LITERARY CRITICISM / General.
Mediaeval music.
fragments.
liturgy.
materiality.
Essays.
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009429263206719
Descripción
Sumario:Although fragments from music manuscripts have occupied a place of considerable importance since the very early days of modern musicology, a collective, up-to-date, and comprehensive discussion of the various techniques and approaches for their study was lacking. On-line resources have also become increasingly crucial for the identification, study, and textual/musical reconstruction of fragmentary sources. Disiecta Membra Musicae. Studies in Musical Fragmentology aims at reviewing the state of the art in the study of medieval music fragments in Europe, the variety of methodologies for studying the repertory and its transmission, musical palaeography, codicology, liturgy, historical and cultural contexts, etc. This collection of essays provides an opportunity to reflect also on broader issues, such as the role of fragments in last century’s musicology, how fragmentary material shaped our conception of the written transmission of early European music, and how new fragments are being discovered in the digital age. Known fragments and new technology, new discoveries and traditional methodology alternate in this collection of essays, whose topics range from plainchant to ars nova and fifteenth- to sixteenth-century polyphony.
Notas:Description based upon print version of record.
Descripción Física:1 online resource (VI, 398 p.)
ISBN:9783110717884

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