Actors and the Art of Performance : Under Exposure

Actors and the Art of Performance Under Exposure

Actors and the Art of Performance: Under Exposure combines the author's two main biographical paths: her professional commitment to the fields of both theatre and philosophy. The art of acting on stage is analysed here not only from the theoretical perspective of a spectator, but also from the...

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Detalles Bibliográficos
Autor principal: Granzer, Susanne. author (author)
Otros Autores: Radosh, Laura, translator (translator), Lagaay, Alice, translator
Formato: Electrónico
Idioma:Inglés
Publicado: Basingstoke Springer Nature 2016
London : 2016.
Edición:1st ed. 2016.
Colección:Performance Philosophy
Materias:
Motion picture authorship.
Motion pictures and television.
Theater.
Philosophy.
Performing arts.
Screenwriting.
Screen Studies.
Theatre and Performance Studies.
Philosophy, general.
Performing Arts.
Performing Arts
Theatre
Acting
Artistic Research
Arts-based-Philosophy
Philosophy On Stage
Performance Philosophy
Schauspieler
Theater
Philosophie
Korporale Performanz
Künstlerische Forschung
Theaterwissenschaft
Kunst
Actor
Friedrich Nietzsche
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009428303906719
Descripción
Sumario:Actors and the Art of Performance: Under Exposure combines the author's two main biographical paths: her professional commitment to the fields of both theatre and philosophy. The art of acting on stage is analysed here not only from the theoretical perspective of a spectator, but also from the perspective of the actor. The author draws on her experience as both a theatre actor and a university professor whose teachings in the art of acting rely heavily on her own experience and also on her philosophical knowledge. The book is unique not only in terms of its content but also in terms of its style. Written in a multiplicity of voices, the text oscillates between philosophical reasoning and narrative forms of writing, including micro-narratives, fables, parables, and inter alia by Carroll, Hoffmann and Kleist. Hence the book claims that a trans-disciplinary dialogue between the art of acting and the art of philosophical thinking calls for an aesthetical research that questions and begins to seek alternatives to traditionally established and ingrained formats of philosophy.
Notas:"Palgrave Pivot"
Descripción Física:1 online resource (xi, 120 pages) : illustrations
Also available in print form
Bibliografía:Includes bibliographical references.
ISBN:9781137596345
Acceso:Open access

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