The black musician and the white city race and music in Chicago, 1900-1967

Amy Absher's The Black Musician and the White City tells the story of African American musicians in Chicago during the mid-twentieth century. While depicting the segregated city before World War II, Absher traces the migration of black musicians, both men and women and both classical and vernac...

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Detalles Bibliográficos
Autor principal: Absher, Amy (-)
Autor Corporativo: Michigan Publishing (University of Michigan) publisher (publisher)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Ann Arbor : University of Michigan Press 2014.
Materias:
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009426986206719
Descripción
Sumario:Amy Absher's The Black Musician and the White City tells the story of African American musicians in Chicago during the mid-twentieth century. While depicting the segregated city before World War II, Absher traces the migration of black musicians, both men and women and both classical and vernacular performers, from the American South to Chicago during the 1930s to 1950s. Absher takes the history beyond the study of jazz and blues by examining the significant role that classically trained black musicians played in building the Chicago South Side community. By acknowledging the presence and importance of classical musicians, Absher argues that black migrants in Chicago had diverse education and economic backgrounds but found common cause in the city's music community.
Notas:Description based upon print version of record.
Descripción Física:1 online resource (215 p.)
Bibliografía:Includes bibliographical references ( pages 187-198) and index.
ISBN:9780472900961
9780472029983