The American Stravinsky The Style and Aesthetics of Copland's New American Music, the Early Works, 1921-1938

One of the country's most enduringly successful composers, Aaron Copland created a distinctively American style and aesthetic in works for a diversity of genres and mediums, including ballet, opera, and film. Also active as a critic, mentor, advocate, and concert organizer, he played a decisive...

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Detalles Bibliográficos
Autor principal: Murchison, Gayle Minetta (-)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Ann Arbor : University of Michigan Press 2012.
Materias:
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009426980906719
Descripción
Sumario:One of the country's most enduringly successful composers, Aaron Copland created a distinctively American style and aesthetic in works for a diversity of genres and mediums, including ballet, opera, and film. Also active as a critic, mentor, advocate, and concert organizer, he played a decisive role in the growth of serious music in the Americas in the twentieth century. In The American Stravinsky, Gayle Murchison closely analyzes selected works to discern the specific compositional techniques Copland used, and to understand the degree to which they derived from European models, particularly the influence of Igor Stravinsky. Murchison examines how Copland both Americanized these models and made them his own, thereby finding his own compositional voice. Murchison also discusses Copland's aesthetics of music and his ideas about its purpose and social function.
Descripción Física:1 online resource (xviii, 285 pages) : illustrations
Bibliografía:Includes bibliographical references (p. 259-275) and index.
ISBN:9780472901005
Acceso:Open Access