Framing French culture

Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or m...

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Detalles Bibliográficos
Otros Autores: Edwards, Natalie, editor (editor), McCann, Ben, editor, Poiana, Peter, editor
Formato: Libro electrónico
Idioma:Inglés
Publicado: Adelaide : The University of Adelaide Press 2015.
Materias:
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009423592006719
Descripción
Sumario:Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned.
Notas:Title from publisher's bibliographic system (viewed on 05 Feb 2016).
Descripción Física:1 online resource (vi, 290 pages) : digital, PDF file(s)
Also available in print form
Bibliografía:Includes bibliographical references.
Acceso:Onsite online access