Faking, Forging, Counterfeiting : Discredited Practices at the Margins of Mimesis

Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis

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Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in...

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Detalles Bibliográficos
Otros Autores: Becker, Daniel (Editor ), Becker, Daniel editor (editor), Fischer, Annalisa editor (-), Schmitz, Yola editor, Niehoff, Simone, Sannders, Florencia
Formato: Electrónico
Idioma:Inglés
Publicado: Bielefeld transcript Verlag 2018
Edición:1st ed
Colección:Edition Kulturwissenschaft
Materias:
Forgery; Culture; Cultural Transfer; Translation; Imitation; Original; Copy; Aesthetic Practice; Creativity; Faked Tradition; Pseudotranslation; Imposter; Identity Theft; Hoax; Cultural History; Art; Literature; Theory of Art; General Literature Studies; Media Aesthetics; Cultural Studies;
Aesthetic Practice.
Art.
Copy.
Creativity.
Cultural History.
Cultural Studies.
Cultural Transfer.
Culture.
Faked Tradition.
General Literature Studies.
Hoax.
Identity Theft.
Imitation.
Imposter.
Literature.
Media Aesthetics.
Original.
Pseudotranslation.
Theory of Art.
Translation.
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009419803606719
Tabla de Contenidos:
  • Frontmatter 1 Table of Contents 5 Preface 7 Six Degrees of Separation 11 Forgery: The Art of Deception 41 The Artist and the Mountebank 59 Aping the Master 77 Fracture, Facture and the Collecting of Islamic Art 91 Shape-shifters of Transculturation 111 Fake Supreme 127 Reflections on Plagiarism in Jorge Luis Borgess Works 139 "I have chosen to write notes on imaginary books" 153 Faked Translations 167 Creating a Cult, Faking Relics 181 Desiring Fakes 199 Unmasking the Fake 223 Contributors 239 Illustration Credits 243

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