Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis

Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in...

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Detalles Bibliográficos
Otros Autores: Becker, Daniel (Editor ), Becker, Daniel editor (editor), Fischer, Annalisa editor (-), Schmitz, Yola editor, Niehoff, Simone, Sannders, Florencia
Formato: Electrónico
Idioma:Inglés
Publicado: Bielefeld transcript Verlag 2018
Edición:1st ed
Colección:Edition Kulturwissenschaft
Materias:
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009419803606719
Descripción
Sumario:Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation.
Descripción Física:1 online resource
ISBN:9783839437629