Postcolonial Repercussions : On Sound Ontologies and Decolonised Listening

Postcolonial Repercussions On Sound Ontologies and Decolonised Listening

Can sound be perceived independently of its social dimension? Or is it always embedded in a discursive network? "Postcolonial Repercussions" explores these questions in form of a collective conversation. The contributors have collected sound stories and sound knowledge from Brazil to Moroc...

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Detalles Bibliográficos
Autor Corporativo: Swiss National Science Foundation (SNSF) funder (funder)
Otros Autores: Ismaiel-Wendt, Johannes Salim (-), Schoon, Andi, Abels, Birgit, Aubry, Gilles, Fuhr, Michael, Lee, Peggy Kyoungwon, Lewy, Matthias, Oliveira, Pedro, Osman, Shanti Suki, Panchia, Bhavisha, Schildhauer, Nadine, Souza Lima, Henrique, Thompson, Marie, Vieira de Oliveira, Pedro J. S.
Formato: Libro electrónico
Idioma:Inglés
Publicado: Bielefeld : Transcript Verlag [2022]
Colección:EBSCO Academic eBook Collection Complete.
Sound Studies Series ; volume 6.
Acceso en línea:Conectar con la versión electrónica
Ver en Universidad de Navarra:https://innopac.unav.es/record=b47448398*spi
Tabla de Contenidos:
  • Cover
  • Contents
  • Instead of an Editorial
  • Salam Godzilla. Unsounding the 1960 Agadir Earthquake
  • A Conversation on Race, Sound, and the Im/possibility of Decolonised Listening
  • Playing it Back. Critical Reflections on Curating Sound
  • "offensichtlich unbegründet": a work in progress meditation on sonic biometry, migration and the archive
  • From a Postmodernist Sound to a Decolonized Dancefloor. From Glitch to Deconstructed Club Music.
  • Meandering Feuilleton Essay about two concerts that I did not see. Or: About how I read Hall, Mignolo and Walsh instead because I want to write an article for an anthology on Decolonizing Arts and think about whether it is possible to decolonialize Popular Music
  • (Post) Colonial Streaming: The Social Reproduction of Listening and Deafness in the Anthropocene
  • Buried in the Colonial Graveyard? Indigenous Sound Ontologies, Repatriation and the Ethics of Curating Ethnographic Sounds
  • Tangier 1999. In search of authenticity. Paul Bowles longs for something and insists on its existence.
  • Passageways of Knowing. Music, Movement, Reconnection
  • Authors
  • List of Illustrations.

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