Arvo Pärt sounding the sacred
Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt's music (including the trope of...
| Otros Autores: | , , |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
New York :
Fordham University Press
2021.
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| Colección: | EBSCO Academic eBook Collection Complete.
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| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b47434569*spi |
Tabla de Contenidos:
- I. Introduction. Arvo Pärt and the art of embodiment
- The sound-and hearing-of Arvo Pärt
- II. History and context. Sounding structure, structured sound
- Colorful dreams : exploring Pärt's Soviet film music
- Arvo Pärt's tintinnabuli and the 1970s Soviet underground
- III. Performance. The Pärt sound
- The rest is silence
- IV. Materiality and phenomenology. Vibrating, and silent : listening to the material acoustics of tintinnabulation
- Medieval Pärt
- The piano and the performing body in the music of Arvo Pärt : phenomenological perspectives
- V. Theology. Presence, absence, and the ambiguities of ambiance : theological discourse and the move to sound in Pärt studies
- The materiality of sound and the theology of the incarnation in the music of Arvo Pärt
- Christian liturgical chant and the musical reorientation of Arvo Pärt
- In the beginning there was sound : hearing, tintinnabuli, and musical meaning in Sufism.
