Cinema against Spectacle: Technique and Ideology Revisited
Jean-Louis Comolli's six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spect...
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
[Lugar de publicación no identificado] :
Amsterdam University Press
2015.
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| Colección: | JSTOR Open Access monographs.
Open Access e-Books. Knowledge Unlatched. Film theory in media history. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b47127119*spi |
| Sumario: | Jean-Louis Comolli's six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli's activity as both a theorist and a filmmaker. |
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| Descripción Física: | 1 recurso electrónico (348 páginas) |
| Formato: | Forma de acceso: World Wide Web. |
| Bibliografía: | Incluye referencias bibliográficas e índice. |
| ISBN: | 9789089645548 9789048519453 |
