Decolonial Metal Music in Latin America
Nelson Varas-Díaz engages in ethnographic work throughout Latin America to explore how heavy metal music is used to challenge the region's colonial past and present. Through extensive research in nine countries, his work documents how this musical genre allows listeners and musicians to engage...
Autor principal: | |
---|---|
Formato: | Libro electrónico |
Idioma: | Inglés |
Publicado: |
Bristol :
Intellect Books Ltd
2021.
|
Colección: | EBSCO Academic eBook Collection.
|
Acceso en línea: | Conectar con la versión electrónica |
Ver en Universidad de Navarra: | https://innopac.unav.es/record=b47078522*spi |
Sumario: | Nelson Varas-Díaz engages in ethnographic work throughout Latin America to explore how heavy metal music is used to challenge the region's colonial past and present. Through extensive research in nine countries, his work documents how this musical genre allows listeners and musicians to engage in what he calls 'extreme decolonial dialogues' that challenge historical and ongoing forms of oppression. 30 b/w illus. |
---|---|
Notas: | Violent context, violent sounds, violent themes. |
Descripción Física: | 1 recurso electrónico (264 páginas) |
Formato: | Forma de acceso: World Wide Web. |
Bibliografía: | References -- 4 Dictatorship/Resistance/Inspiration - Chile -- Addressing the dictatorship through metal music -- The road less traveled: Environmental consequences of the dictatorship -- Chilean sources of inspiration in metal music -- References -- 5 Social Movements and Hybrid Sounds - México -- A social movement as an inspiration -- Hybrid sounds and inspirations -- Transforming sounds - transforming politics -- Note -- References -- 6 Decolonizing Space and Culture Amid Revolutionary Entanglements - Cuba -- Suspicion, scarcity, and time traveling -- Cuba's "New Man" and metal music. |
ISBN: | 9781789383942 9781789383959 |