Popular music in the post-digital age politics, economy, culture and technology
"Popular Music in the Post-Digital Age explores the relationship between macro environmental factors, such as politics, economics, culture and technology, captured by terms such as 'post-digital' and 'post-internet'. It also discusses the creation, monetisation and consumpti...
| Otros Autores: | , , |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
New York, NY :
Bloomsbury Academic
2019.
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| Colección: | EBSCO Academic eBook Collection.
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| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b46474869*spi |
Tabla de Contenidos:
- List of Contributors
- Introduction: The Future of and through Music
- Ewa Mazierska, Les Gillon and Tony Rigg
- Part 1: Music Industry
- 1. Rethinking Independence:
- What Does 'Independent Record Label' Mean Today?
- Patryk Galuszka and Katarzyna M. Wyrzykowska, University of Lodz, Poland
- 2. The Future of Digital Music Infrastructures: Expectations and Promises of the Blockchain 'Revolution'
- Paolo Magaudda, University of Padua
- 3. 'The Sound of the Future is Here Today': The Market for Post-Rock Within the Traditional Small Music Festival Landscape
- Kenneth Forbes, University of the West of Scotland, UK
- 4. 'They Sold the Festival Out!': Axionormativity as the Future of Festivals
- Waldemar Kuligowski, Adam Mickiewicz University, Poland
- 5. The Hidden Worker Bees: Advanced Neoliberalism and Manchester's Underground Club Scene
- Kamila Rymajdo, Kingston University, UK
- Part 2: Musicians and Their Music
- 6. The Adaptive Musician: The Case of Peter Hook and Graham Massey
- Ewa Mazierska and Tony Rigg, University of Central Lancashire, UK
- 7. Where Do We Go From Here?: The Future of Composers in the Post-Digital Era
- Lars Brn̲dum, University of Skv̲de, Sweden
- 8. Searching for International Success in Europe's Periphery: The Case of Gin Ga and Fran Palermo
- Ewa Mazierska, University of Central Lancashire, UK
- 9. Electro Swing: The Re-Introduction of the Sounds of the Past into the Music of the Future
- Chris Inglis, University of South Wales, UK
- Part 3: Music Consumption
- 10. Back to the Future: Proposing a Heuristic for Predicting the Future of Recorded Music Use
- Mathew Flynn, University of Liverpool, UK
- 11. Young People's Current Music and Media Use in Austria: The Musical Practice of the Future?
- Michael Huber, University of Vienna, Austria
- 12. Curators as Taste Entrepreneurs in the Digital Music Industries
- Emilia Barna, Budapest University of Technology and Economics, Hungary
- 13. An Echoic Chamber: Algorithmic Curation and Personalised Listening
- Andrew Fry, Sounds et al, USA
- Index.
