Material Approaches to Polynesian Barkcloth Cloth, Collections, Communities
Barkcloth or tapa, a cloth made from the inner bark of trees, was widely used in place of woven cloth in the Pacific islands until the 19th century. A ubiquitous material, it was integral to the lives of islanders and used for clothing, furnishings and ritual artefacts. Material Approaches to Polyne...
| Autor principal: | |
|---|---|
| Otros Autores: | |
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Leiden :
Sidestone Press
2020.
|
| Colección: | EBSCO Academic eBook Collection.
|
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b46108634*spi |
Tabla de Contenidos:
- Intro
- Acknowledgements
- Image Credits
- Biographies
- Introduction
- Frances Lennard
- TAPA AS FABRIC: BAST AND COLOURANTS
- 1
- The Procurement, Cultural Value and Fabric Characteristics of Polynesian Tapa Species
- Andy Mills
- Plant Profile 1: Fibre
- Plant Profile 2: Fibre, latex
- Mark Nesbitt
- Technical Variation in Historical Polynesian Tapa Manufacture
- Andy Mills
- 3
- Breadfruit Tapa: Not Always Second Best
- Michele Austin Dennehy, Jean Chapman Mason, Adrienne L. Kaeppler
- Plant Profile 3: Fibre
- Plant Profile 4: Fibre
- Mark Nesbitt.
- A New Perspective on Understanding Hawaiian Kapa Making
- Lisa Schattenburg-Raymond
- 5
- Polynesian Tapa Colourants
- Andy Mills, Taoi Nooroa, Allan Tuara
- Plant Profile 5: Fibre
- Plant Profile 6: Fibre
- Mark Nesbitt
- 6
- Hawaiian Dyes and Kapa Pigments: A Modern Perspective and Brief Analysis of the Historic Record
- Lisa Schattenburg-Raymond
- UNDERSTANDING TAPA IN
- TIME AND PLACE
- 7
- Towards A Regional Chronology of Polynesian Barkcloth Manufacture
- Andy Mills
- 8
- Living with Tapa and the Social Life of Ritual Objects
- Adrienne L. Kaeppler.
- Plant Profile 7: Fibre
- Plant Profile 8: Starch (glue)
- Mark Nesbitt
- 9
- West Polynesian Dyes and Decorations as Cultural Signatures
- Adrienne L. Kaeppler
- 10
- 'A Classification of Tongan Ngatu': Change and Stability in Tongan Barkcloth Forms since 1963
- Billie Lythberg
- 11
- White for Purity, Brown for Beautiful Like Us and Black Because it is Awesome
- Fanny Wonu Veys
- Plant Profile 9: Red dye
- Plant Profile 10: Black dye
- Mark Nesbitt
- 12
- Barkcloth from the Islands of Wallis ('Uvea) and Futuna
- Hélène Guiot
- 13
- Barkcloth in the Māori World.
- Patricia Te Arapo Wallace
- 14
- 'Ahu Sistas: Reclaiming History, Telling our Stories
- Pauline Reynolds, Jean Clarkson
- Plant Profile 11: Yellow dye
- Turmeric Curcuma longa L. ZINGIBERACEAE
- Plant Profile 12: Yellow dye
- Mark Nesbitt
- 15
- 'Tataki ʻe he Leá: Guided Language'
- Tui Emma Gillies, Sulieti Fiemeʻa Burrows
- TAPA IN COLLECTIONS AND THE COMMUNITY
- 16
- The Hunterian's Polynesian Barkcloth Collection
- Andy Mills
- 17
- From Maker to Museum: Polynesian Barkcloth at the Royal Botanic Gardens, Kew
- Mark Nesbitt, Brittany Curtis and Andy Mills.
- Plant Profile 13: Red dye, fibre
- Plant Profile 14: Red dye
- Tou Cordia subcordata Lam. BORAGINACEAE
- Plant Profile 15: Red dye, wood
- Mark Nesbitt
- 18
- Smithsonian Institution Barkcloth Collections
- Adrienne L. Kaeppler
- 19
- 'Holomua ka Hana Kapa': A Symposium on Caring for Kapa and Kapa Makers at the Bernice Pauahi Bishop Museum, December 2017
- Alice Christophe
- 20
- Fiji Masi and the Auckland Museum Pacific Collection Access Project
- Fuli Pereira, Leone Samu Tui
- Plant Profile 16: Red-brown dye
- Plant Profile 17: Brown dye
- Mark Nesbitt
- 21.
