The Palgrave Handbook of Queer and Trans Feminisms in Contemporary Performance
The purpose of this Handbook is to provide students with an overview of key developments in queer and trans feminist theories and their significance to the field of contemporary performance studies. It presents new insights highlighting the ways in which rigid or punishing notions of gender, sexuali...
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| Otros Autores: | , , |
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Cham :
Springer International Publishing
2021.
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| Edición: | 1st ed |
| Colección: | Springer eBooks.
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| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b4558347x*spi |
Tabla de Contenidos:
- 1. INTRODUCTION: QUEER AND TRANS FEMINIST PERFORMANCE; Sandra D'Urso, Tiina Rosenberg, and Anna Renée Winget
- 2. BUTCH WOMAN: A MEDITATION; Sue-Ellen Case
- 3.THE BUTCH MONOLOGUES: PERFORMANCE AS A BRIDGE FROM "BORDER WARS" TO "PLAYGROUND"; Alyson Campbell
- 4. ON TRANSLATION: GAY INC.ORPORATED THE TRIANGLE AND THE FARTING UNICORN; Sam Bourcier
- 5. THE UNDISCIPLINED BODY: PHIA MÉNARD AND HER EXPERIENCE OF ORGANIC PERFORMANCE; Stefania Lodi Rizzini
- 6. PERFORMING IMPROPER DESIRES: THE UNINTELLIGIBILITY OF CONVERT BLACK MUSLIM WOMEN; Jan Mendes
- 7. IM/POSSIBLE UN/VEILINGS: ASIFA LAHORE AND BRITISH-ASIAN MUSLIM DRAG PERFORMANCE; Claire Pamment
- 8. ALIENATED FLESH AT THE PLACE OF TRAUMA AND DEATH: UNEARTHING THE BLACK (QUEERED) UN-HUMAN IN SUZAN-LORI PARKS' ONE CHARACTER PLAY PICKLING; Jaye Austin Williams
- 9. YOU CAN'T HOLD MY BABY: AN OPEN LETTER TO PREDOMINANT WHITE INSTITUTIONS OF THEATRE ARTS; Leelee Jackson
- 10. ACTIVATING CIS WHITE FRAGILITY: THE OPPOSITIONAL GAZE IN TRAVIS ALABANZA'S LEFT OUTSIDE ALONE; Beck Tadman
- 11. BETWEEN MESS AND METHOD: PERFORMANCE ART ECONOMIX/TURES; Esther Neff
- 12. WHOSE PRIDE IS THIS ANYWAY? THE QUARE PERFORMANCE OF THE #BLACKPRIDE; Zane McNeill and Kyra Smith
- 13. IT HAPPENED TO #METOO: QUEER FEMINIST CRITIQUE OF CISGENDER WHITE FEMINISM; Tiina Rosenberg
- 14. LIP-SYNCING FOR OUR LIVES: QUEERING DISSENT IN QUEER & NOW. A LIP-SYNC SPECTACULAR; Finn Lefevre
- 15. THE CASE OF DEBORAH DE ROBERTIS'S PERFORMANCE ART, NUDITY, AND INSTITUTIONAL REPRISAL; Sandra D'Urso
- 16. DEVIANTS, QUEERS, OR SCISSORING SISTERS OF MEN? TRANSLATING AND LOCATING QUEER AND TRANS FEMINISMS IN THE CONTEMPORARY ARABIC-SPEAKING WORLD; Joel W. Abdelmoez
- 17. (TRANS-)FORMING GENDER IDEOLOGIES THROUGH PERFORMANCE IN RUSSIA: CYBERFEMINIST SOMATEXTS OF THE MAAILMANLOPPU THEATRE; Tatiana Klepikova
- 18. I AM NEPANTLA: THE BODIES THAT MATTER IN CHICANA/O AND MEXICAN ART; Amarilis Pérez Vera
- 19. QUEER CROSSINGS AND TRANSFORMATIONS; Sandra Chatterjee, Cynthia Lee, and Shyamala Moorty
- 20. PERFORMING THE PLEASURE IN THE POETIC; Cassils in dialogue with Sandra D'Urso
- 21. TOWARDS A QUEER LABORATORY; Ben Spatz
- 22. HEALING CHAOS IN MOTION; Sydney Flynn Rogers/ Miss Barbie-Q
- 23. ADRIAN PIPER'S PSYCHEDELIC DRAG; Denise (Deni) Li
- 24. NARCISSISM AND HEALING IN QUEER FEMINIST CABARET IN AUSTRALIA; Sarah French in dialogue with Sarah Ward
- 25. DISCURSIVE CONTORTION AND HEALING: INHABITING YOGA BODIES QUEERLY; Camilla Damkjaer
- 26. WITNESSING RAWNESS: COMMUNITY AND HEALING; D'Lo in dialogue with Anna Renée Winget
- 27. CUIR SUDAK TRANSPOSSESSIONS AND OTHER MAGICAL MUTATIONS (or, about the practice of healing The-selves otherwise); Krizia Puig
- 28. HEALING THROUGH PERFORMANCE AND ACTIVISM (Supplemental to the chapter "Decolonizing the University with DarkMatter's Healing of/in Failure"); Alok Vaid-Menon in dialogue with Anna Renée Winget
- 29. DECOLONIZING THE UNIVERSITY WITH DARKMATTER'S HEALING OF/IN FAILURE; Anna Renée Winget
- 30. CONCLUSION: THE FUTURE OF QUEER AND TRANS FEMINIST PERFORMANCE; Sandra D'Urso, Tiina Rosenberg, and Anna Renée Winget in dialogue with Emi Koyama and Eric A. Stanley.
