Flaying in the pre-modern world practice and representation

Skin is the parchment upon which identity is written; class, race, ethnicity, and gender are all legible upon the human surface. Removing skin tears away identity, and leaves a blank slate upon whichlaw, punishment, sanctity, or monstrosity can be inscribed; whether as an act of penal brutality, as...

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Detalles Bibliográficos
Otros Autores: Tracy, Larissa, 1974- editor (editor)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Cambridge : D.S. Brewer 2017.
Colección:CUP ebooks.
Acceso en línea:Conectar con la versión electrónica
Ver en Universidad de Navarra:https://innopac.unav.es/record=b44907928*spi
Tabla de Contenidos:
  • note: I. FLAYING IN PRACTICE
  • 1. Tools of the Puncture: Skin, Knife, Bone, Hand / Jack Hartnell
  • 2. A Tale of Venetian Skin: The Flaying of Marcantonio Bragadin / Kelly DeVries
  • 3. Flesh and Death in Early Modern Bedburg / Susan Small
  • 4. Medievalism and the 'Flayed-Dane' Myth: English Perspectives between the Seventeenth and Nineteenth Centuries / Mary Rambaran-Olm
  • 5. Skin on Skin: Wearing Flayed Remains / Frederika Bain
  • II. REPRESENTATIONS OF FLAYING
  • 6. Robed in Martyrdom: The Flaying of St Bartholomew in the Laudario of Sant'Agnese / Christine Sciacca
  • 7. Masculinist Devotion: Flaying and Flagellation in the Belles Heures / Sherry C. M. Lindquist
  • 8. A Window for the Pain: Surface, Interiority and Christ's Flagellated Skin in Late Medieval Sculpture / Peter Dent
  • 9. 'Flesche withowtyn hyde': The Removal and Transformation of Jesus' Skin in the English Cycle Passion Plays / Valerie Gramling
  • 10. No Skin in the Game: Flaying and Early Irish Law and Epic / William Sayers
  • 11. Reading the Consumed: Flayed and Cannibalized Bodies in The Siege of Jerusalem and Richard Coer de Lyon / Emily Leverett
  • 12. Losing Face: Flayed Beards and Gendered Power in Arthurian Literature / Michael Livingston
  • 13. Face Off: Flaying and Identity in Medieval Romance / Larissa Tracy
  • 14. 'Thou shalt have the better cloathe': Reading Second Skins in Robin Hood and Guy of Gisborne / Renee Ward.