Making and unmaking in early modern English drama spectators, aesthetics and incompletion
Why are early modern English dramatists preoccupied with unfinished processes of "making" and "unmaking"? And what did the terms "finished" or "incomplete" mean for dramatists and their audiences in this period? Making and unmaking in early modern English dram...
| Otros Autores: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Manchester :
Manchester University Press
2013.
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| Colección: | Open Research Library ebooks.
Knowledge Unlatched. Open Access e-Books. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b44545691*spi |
Tabla de Contenidos:
- Introduction: speaking pictures?
- 1. Early modern English drama and visual culture
- 2. 'In the keeping of Paulina': the unknowable image in "The Winter's Tale"
- 3. 'But begun for others to end': the ends of incompletion
- 4. 'The brazen head lies broken': divine destruction in "Friar Bacon and Friar Bungay"
- 5. Going unseen: invisibility and erasure in "The Two Merry Milkmaids."
