Cinema at the end of empire a politics of transition in Britain and India
How did the imperial logic underlying British and Indian film policy change with the British Empire's loss of moral authority and political cohesion? Were British and Indian films of the 1930s and 1940s responsive to and responsible for such shifts? Cinema at the End of Empire illuminates this...
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press
2006.
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| Colección: | Open Research Library ebooks.
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| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b44538467*spi |
Tabla de Contenidos:
- Film policy and film aesthetics as cultural archives
- Acts of transition: the British cinematograph films acts of 1927 and 1938
- Empire and embarrassment: colonial forms of knowledge about cinema
- Realism and empire
- Romance and empire
- Modernism and empire
- Historical romances and modernist myths in Indian cinema.
