Princess Mononoke understanding Studio Ghibli's monster princess
Princess Mononoke (1997) is one of anime's most important films. Hayao Miyazaki's epic fantasy broke domestic box office records when it came out in Japan, keeping pace with the success of Hollywood films like Titanic (1997). Princess Mononoke was also the first of Studio Ghibli's fil...
Otros Autores: | |
---|---|
Formato: | Libro electrónico |
Idioma: | Inglés |
Publicado: |
New York :
Bloomsbury Academic
2018.
|
Colección: | Bloomsbury OA ebooks.
Animation: key films/filmmakers ; 1. |
Acceso en línea: | Conectar con la versión electrónica |
Ver en Universidad de Navarra: | https://innopac.unav.es/record=b44526854*spi |
Tabla de Contenidos:
- Cover
- Half Title
- Series Information
- Title Page
- Contents
- Illustrations
- Acknowledgements
- Introducing Studio Ghibli's Monster Princess: From Mononokehime to Princess Mononoke
- A Monster Hit: Mononokehime's Blockbuster Status in Japan
- Animating the Monster Princess
- Becoming Princess Mononoke
- Notes
- Part 1 Intellectualizing Miyazaki: Politics, Religion and the Environment in Princess Mononoke
- Chapter 1 Princess Mononoke: A Game Changer
- The Road to Mononoke
- Japanese History in Princess Mononoke
- General and Academic Popularity of Princess Mononoke.
- Conclusion
- Notes
- Chapter 2 Deer Gods, Nativism and History: Mythical and Archaeological Layers in Princess Mononoke
- The Emishi Nation
- Miyazaki, Politics and Environment
- Native and Nature Religion in Princess Mononoke
- Conclusion
- Notes
- Chapter 3 To 'See with Eyes Unclouded by Hate': Princess Mononoke and the Quest for Environmental Balance
- Industrial/Pastoral
- Human/Non-Human
- Culture/Nature
- Notes
- Part 2 Princess Mononoke's Female Characters: Animation Influences, Feminism and Cultural Liminality.
- Chapter 4 Spirit Princess and Snow Queen: The Soviet Roots of Princess Mononoke
- Between Snow Queen and Princess Mononoke: A Comparative Analysis
- The Snow Queen in the Japanese 1960s
- Notes
- Chapter 5 Teenage Wildlife: Princess Mononoke and Hayao Miyazaki's Theory of the Feminine
- Starting Points
- The Once and Future Princess
- Modern Love
- This Woman's Work
- Venus as a Boy
- It's a Man's Man's Man's World
- Conclusion
- Notes
- Chapter 6 Beyond Girlhood in Ghibli: Mapping Heroine Development against the Adult Woman Anti-hero in Princess Mononoke.
- Woman as Warrior, Nurse and Mother in Princess Mononoke
- San and Eboshi's Dynamic in Subsequent Studio Ghibli Films
- Conclusion
- Notes
- Part 3 A Transnational Princess: The Adaptation, Promotion and Reception of Princess Mononoke
- Chapter 7 The Translation and Adaptation of Miyazaki's Spirit Princess in the West
- 'What's It Mean?':12 Translation as Acculturation
- 'This Is How You Kill a God': Translating Morality and Reverence
- 'The Wild Girl Whose Soul the Wolves Stole': Translating the Voice of an Anti-shōjo
- Conclusion
- Notes.
- Chapter 8 Marketing Mononoke: The Daihitto Becoming Disney
- Poster Analysis
- Trailer Analysis
- Featurette Analysis
- Website Analysis
- Conclusion
- Notes
- Chapter 9 Homer, Ovid, Disney and Star Wars: The critical reception and transcultural popularity of Princess Mononoke
- Methodology
- Transcultural Contexts of Reception
- Generic Expectations: Disney, Ghibli and the Issue of Violence
- Beyond Generic Frameworks: Star Wars, Fantasy and the 'Quality' Debate
- Miyazaki as Auteur: Festivals, Awards and Critical Accolades.